{"id":1038,"date":"2026-07-31T05:18:45","date_gmt":"2026-07-31T05:18:45","guid":{"rendered":"https:\/\/artworkpost.com\/inwangjesaekdo-eclaircies-apres-la-pluie-sur-le-mont-inwang\/"},"modified":"2026-10-11T20:43:25","modified_gmt":"2026-10-11T20:43:25","slug":"inwangjesaekdo-eclaircies-apres-la-pluie-sur-le-mont-inwang","status":"publish","type":"post","link":"https:\/\/artworkpost.com\/fr\/inwangjesaekdo-eclaircies-apres-la-pluie-sur-le-mont-inwang\/","title":{"rendered":"Inwangjesaekdo \u2013 La montagne apr\u00e8s la pluie, peinte pour un ami malade ?"},"content":{"rendered":"<p class=\"lead\"><strong>\u00c0 la fin du cinqui\u00e8me mois intercalaire de 1751 \u2013 au c\u0153ur de l&rsquo;\u00e9t\u00e9 cor\u00e9en \u2013, une longue pluie s&rsquo;arr\u00eate enfin sur S\u00e9oul. Le peintre Jeong Seon, qui a alors environ soixante-quinze ans, peint le mont Inwang, au pied duquel il vit, tel qu&rsquo;il appara\u00eet \u00e0 ce moment-l\u00e0 : d&rsquo;\u00e9normes rochers de granit encore noirs de pluie, des nuages blancs qui montent des vall\u00e9es. Selon une interpr\u00e9tation r\u00e9pandue, il aurait peint ce tableau en pensant \u00e0 son plus vieil ami, le po\u00e8te Yi Byeong-yeon, gravement malade, qui mourut quelques jours plus tard. C&rsquo;est l&rsquo;un des deux plus grands chefs-d&rsquo;\u0153uvre de la peinture cor\u00e9enne.<\/strong><\/p>\n<h2>En bref<\/h2>\n<ul>\n<li><strong>Artiste :<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/artist\/jeong-seon\/\">Jeong Seon, dit Gyeomjae (1676-1759)<\/a><\/li>\n<li><strong>Date :<\/strong> 1751, fin du cinqui\u00e8me mois intercalaire<\/li>\n<li><strong>Titre cor\u00e9en :<\/strong> <em>Inwang jesaek do<\/em> (\uc778\uc655\uc81c\uc0c9\ub3c4), \u00ab \u00c9claircie apr\u00e8s la pluie sur le mont Inwang \u00bb<\/li>\n<li><strong>Technique :<\/strong> encre sur papier<\/li>\n<li><strong>Dimensions :<\/strong> 79,2 \u00d7 138,2 cm<\/li>\n<li><strong>Statut :<\/strong> Tr\u00e9sor national de Cor\u00e9e du Sud n\u00b0 216<\/li>\n<li><strong>Mouvement :<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/movement\/joseon-art\/\">Art Joseon<\/a> \u2013 peinture de \u00ab paysage r\u00e9el \u00bb<\/li>\n<li><strong>Lieu de conservation :<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/museum\/national-museum-of-korea-seoul\/\">Mus\u00e9e national de Cor\u00e9e, S\u00e9oul<\/a>, depuis 2021<\/li>\n<\/ul>\n<h2>La montagne de la ville<\/h2>\n<p>Le mont Inwang n&rsquo;est pas une montagne lointaine et l\u00e9gendaire, comme le mont Geumgang que Jeong Seon avait peint dans le <a href=\"https:\/\/artworkpost.com\/fr\/geumgangjeondo-vue-generale-du-mont-geumgangsan\/\">Geumgangjeondo<\/a>. C&rsquo;est la montagne qui domine S\u00e9oul \u00e0 l&rsquo;ouest, au-dessus des palais royaux, un relief de granit que les habitants de la capitale avaient sous les yeux chaque jour. Jeong Seon a pass\u00e9 une grande partie de sa vie dans les quartiers situ\u00e9s \u00e0 ses pieds.<\/p>\n<p>Il ne peint donc pas un paysage r\u00eav\u00e9, mais sa propre montagne, \u00e0 un moment pr\u00e9cis : quand la pluie cesse, que les rochers sont encore mouill\u00e9s et que la brume monte des vall\u00e9es. L&rsquo;inscription, en haut \u00e0 droite, donne le titre et la date : elle situe le tableau \u00e0 la fin du cinqui\u00e8me mois intercalaire de l&rsquo;ann\u00e9e 1751, en pleine saison des pluies.<\/p>\n<h2>Une montagne de granit noir<\/h2>\n<p>Ce qui saisit d&rsquo;abord, ce sont les rochers. Au sommet, une \u00e9norme masse de granit est peinte presque enti\u00e8rement en noir, \u00e0 larges coups de pinceau charg\u00e9s d&rsquo;encre, appliqu\u00e9s de haut en bas, encore et encore. C&rsquo;est l&rsquo;inverse de la tradition : d&rsquo;ordinaire, les peintres dessinaient les contours des rochers et laissaient l&rsquo;int\u00e9rieur clair. Jeong Seon, lui, les remplit d&rsquo;encre, comme si la pluie avait noirci la pierre.<\/p>\n<p>En dessous, la brume. Elle n&rsquo;est pas peinte : c&rsquo;est le papier laiss\u00e9 blanc, entre des bandes de nuages l\u00e9g\u00e8rement soulign\u00e9s. Les arbres \u2013 des pins pour la plupart \u2013 \u00e9mergent de ces nuages par touches sombres et rapides. Le contraste entre la masse noire de la montagne et la blancheur de la brume donne au tableau sa force.<\/p>\n<h2>Un tableau pour un ami ?<\/h2>\n<p>Jeong Seon avait un ami de toujours, le po\u00e8te Yi Byeong-yeon. Ensemble, pendant des d\u00e9cennies, ils avaient \u00e9chang\u00e9 po\u00e8mes et peintures. Au printemps 1751, Yi tombe gravement malade ; il meurt quelques jours apr\u00e8s la date inscrite sur le tableau. Selon une interpr\u00e9tation r\u00e9pandue chez les historiens cor\u00e9ens, Jeong Seon aurait peint l&rsquo;<em>Inwangjesaekdo<\/em> en esp\u00e9rant la gu\u00e9rison de son ami : comme la montagne qui retrouve sa clart\u00e9 apr\u00e8s la pluie, le po\u00e8te aurait pu se relever.<\/p>\n<p>Le tableau ne porte aucune d\u00e9dicace qui le prouve. Mais cette lecture donne une dimension \u00e9mouvante \u00e0 la sc\u00e8ne : derri\u00e8re le paysage, peut-\u00eatre une pri\u00e8re silencieuse. On a d&rsquo;ailleurs propos\u00e9 de voir, dans la petite maison au pied de la montagne, celle du po\u00e8te.<\/p>\n<h2>Symbolisme et d\u00e9tails \u00e0 observer<\/h2>\n<p><strong>Le sommet noir.<\/strong> Regardez comment le granit est construit par de longues touches verticales et parall\u00e8les, presque comme des coups de brosse. La pierre para\u00eet lourde, humide, solide.<\/p>\n<p><strong>La brume blanche.<\/strong> Le blanc du papier cr\u00e9e l&rsquo;air humide qui s&rsquo;\u00e9l\u00e8ve. Plus on descend, plus la montagne se dissout dans les nuages.<\/p>\n<p><strong>Les pins.<\/strong> Peints \u00e0 l&rsquo;encre plus ou moins dilu\u00e9e, ils cr\u00e9ent des plans successifs et donnent la profondeur.<\/p>\n<p><strong>La maison.<\/strong> En bas \u00e0 droite, une maison entour\u00e9e d&rsquo;arbres rappelle la pr\u00e9sence humaine, minuscule face \u00e0 la montagne.<\/p>\n<p><strong>L&rsquo;instant.<\/strong> Ce tableau saisit un moment de la m\u00e9t\u00e9o, comme les peintres d&rsquo;Asie orientale aimaient le faire. Un si\u00e8cle plus tard, l&rsquo;estampe japonaise <a href=\"https:\/\/artworkpost.com\/fr\/averse-soudaine-sur-le-pont-shin-ohashi-et-atake\/\">Averse soudaine sur le pont Shin-\u014chashi et Atake<\/a> de Hiroshige fixera elle aussi le passage d&rsquo;une pluie.<\/p>\n<h2>\u00c0 propos de Jeong Seon<\/h2>\n<p>Jeong Seon na\u00eet \u00e0 S\u00e9oul en 1676 dans une famille de lettr\u00e9s appauvrie. Il occupe des fonctions officielles et devient le plus c\u00e9l\u00e8bre peintre de son temps. Il invente la peinture de \u00ab paysage r\u00e9el \u00bb (<em>jingyeong sansu<\/em>) : des lieux vrais de Cor\u00e9e, observ\u00e9s sur place, plut\u00f4t que les montagnes id\u00e9ales copi\u00e9es des mod\u00e8les chinois \u2013 comme les cinq pics stylis\u00e9s de l&rsquo;<a href=\"https:\/\/artworkpost.com\/fr\/irworobongdo-peinture-du-soleil-de-la-lune-et-des-cinq-pics\/\">Irworobongdo<\/a>. Il peint jusqu&rsquo;\u00e0 un \u00e2ge tr\u00e8s avanc\u00e9 et meurt en 1759.<\/p>\n<h2>H\u00e9ritage et influence<\/h2>\n<p>L&rsquo;<em>Inwangjesaekdo<\/em> est souvent consid\u00e9r\u00e9, avec le <a href=\"https:\/\/artworkpost.com\/fr\/geumgangjeondo-vue-generale-du-mont-geumgangsan\/\">Geumgangjeondo<\/a>, comme le sommet de l&rsquo;\u0153uvre de Jeong Seon et de la peinture de paysage cor\u00e9enne. Il a \u00e9t\u00e9 class\u00e9 Tr\u00e9sor national en 1984.<\/p>\n<p>Il a longtemps appartenu \u00e0 des collections priv\u00e9es, en dernier lieu \u00e0 celle de Lee Kun-hee, pr\u00e9sident du groupe Samsung. Apr\u00e8s sa mort, en 2020, sa famille a fait don \u00e0 l&rsquo;\u00c9tat cor\u00e9en d&rsquo;environ 23 000 \u0153uvres, dont l&rsquo;<em>Inwangjesaekdo<\/em>, entr\u00e9 au Mus\u00e9e national de Cor\u00e9e en 2021. Ce don exceptionnel, li\u00e9 au r\u00e8glement de droits de succession record, a rendu le tableau accessible \u00e0 tous.<\/p>\n<p>Depuis 2025, une s\u00e9lection de chefs-d&rsquo;\u0153uvre de cette collection voyage \u00e0 l&rsquo;\u00e9tranger dans l&rsquo;exposition \u00ab Korean Treasures: Collected, Cherished, Shared \u00bb : \u00e0 Washington, puis \u00e0 Chicago, et, depuis septembre 2026, au British Museum de Londres, jusqu&rsquo;en janvier 2027.<\/p>\n<h2>Et en France ?<\/h2>\n<p><strong>Londres, \u00e0 deux heures de Paris.<\/strong> Pour un visiteur venu de France, l&rsquo;occasion la plus proche de d\u00e9couvrir les tr\u00e9sors de la collection Lee Kun-hee est l&rsquo;exposition pr\u00e9sent\u00e9e au British Museum, \u00e0 Londres, de septembre 2026 \u00e0 janvier 2027. Chaque \u00e9tape de la tourn\u00e9e pr\u00e9sente une s\u00e9lection diff\u00e9rente : v\u00e9rifiez sur le site du British Museum si l&rsquo;<em>Inwangjesaekdo<\/em> en fait partie.<\/p>\n<p><strong>L&rsquo;art cor\u00e9en \u00e0 Paris.<\/strong> Le mus\u00e9e national des arts asiatiques \u2013 Guimet conserve l&rsquo;une des plus anciennes collections d&rsquo;art cor\u00e9en d&rsquo;Europe, avec des peintures de l&rsquo;\u00e9poque Joseon. La montagne de Diamant peinte par Jeong Seon dans le <a href=\"https:\/\/artworkpost.com\/fr\/geumgangjeondo-vue-generale-du-mont-geumgangsan\/\">Geumgangjeondo<\/a> a, elle, \u00e9t\u00e9 inscrite au patrimoine mondial de l&rsquo;UNESCO \u00e0 Paris en juillet 2025.<\/p>\n<h2>O\u00f9 voir l&rsquo;\u0153uvre aujourd&rsquo;hui<\/h2>\n<p>L&rsquo;<em>Inwangjesaekdo<\/em> appartient au <strong>Mus\u00e9e national de Cor\u00e9e<\/strong>, dans le quartier de Yongsan, \u00e0 S\u00e9oul.<\/p>\n<ul>\n<li><strong>Il n&rsquo;est pas toujours expos\u00e9.<\/strong> Peinture fragile sur papier, il est pr\u00e9sent\u00e9 par p\u00e9riodes ; une partie de la collection Lee Kun-hee est par ailleurs en tourn\u00e9e \u00e0 l&rsquo;\u00e9tranger. V\u00e9rifiez sur le site du mus\u00e9e avant votre visite.<\/li>\n<li><strong>Acc\u00e8s :<\/strong> station Ichon (lignes 4 et Gyeongui-Jungang du m\u00e9tro de S\u00e9oul). L&rsquo;entr\u00e9e aux collections permanentes est gratuite.<\/li>\n<li><strong>Venez t\u00f4t :<\/strong> le mus\u00e9e accueille aujourd&rsquo;hui bien plus de visiteurs que pr\u00e9vu \u00e0 sa conception.<\/li>\n<li><strong>Dans le m\u00eame mus\u00e9e :<\/strong> le <a href=\"https:\/\/artworkpost.com\/fr\/bodhisattva-pensif-tresor-national-n-78\/\">Bodhisattva pensif<\/a> et la <a href=\"https:\/\/artworkpost.com\/fr\/jarre-de-lune-en-porcelaine-blanche-joseon\/\">jarre de lune<\/a> en porcelaine blanche.<\/li>\n<li><strong>La vraie montagne :<\/strong> le mont Inwang se trouve \u00e0 l&rsquo;ouest du palais Gyeongbokgung. Un sentier le long de la muraille de S\u00e9oul permet de le gravir ; apr\u00e8s la pluie, on retrouve parfois la vision de Jeong Seon.<\/li>\n<\/ul>\n<h2>Questions fr\u00e9quentes<\/h2>\n<h3>Que signifie \u00ab Inwangjesaekdo \u00bb ?<\/h3>\n<p>\u00ab Peinture du mont Inwang qui s&rsquo;\u00e9claircit apr\u00e8s la pluie \u00bb : <em>Inwang<\/em> est le nom de la montagne, <em>jesaek<\/em> d\u00e9signe le retour de la clart\u00e9 apr\u00e8s la pluie, <em>do<\/em> signifie \u00ab peinture \u00bb.<\/p>\n<h3>Quand a-t-il \u00e9t\u00e9 peint ?<\/h3>\n<p>En 1751, \u00e0 la fin du cinqui\u00e8me mois intercalaire, selon l&rsquo;inscription. Jeong Seon avait alors environ soixante-quinze ans.<\/p>\n<h3>Est-il li\u00e9 \u00e0 la mort d&rsquo;un ami ?<\/h3>\n<p>Selon une interpr\u00e9tation r\u00e9pandue, Jeong Seon l&rsquo;aurait peint en pensant \u00e0 son ami le po\u00e8te Yi Byeong-yeon, gravement malade, qui mourut peu apr\u00e8s. Aucune inscription ne le confirme.<\/p>\n<h3>O\u00f9 est-il conserv\u00e9 ?<\/h3>\n<p>Au Mus\u00e9e national de Cor\u00e9e, \u00e0 S\u00e9oul, depuis le don de la collection Lee Kun-hee en 2021.<\/p>\n<h3>Peut-on le voir en Europe ?<\/h3>\n<p>Une s\u00e9lection de la collection Lee Kun-hee est pr\u00e9sent\u00e9e au British Museum de Londres de septembre 2026 \u00e0 janvier 2027. V\u00e9rifiez si l&rsquo;<em>Inwangjesaekdo<\/em> y figure.<\/p>\n<p>Jeong Seon a regard\u00e9 sa montagne, un jour d&rsquo;\u00e9t\u00e9, au moment o\u00f9 la pluie s&rsquo;arr\u00eatait. Il l&rsquo;a peinte noire et lourde, avec des nuages blancs qui montent comme une respiration. Peut-\u00eatre pensait-il \u00e0 un ami qui allait mourir. La montagne, elle, est toujours l\u00e0, au-dessus de S\u00e9oul \u2013 et apr\u00e8s chaque grande pluie, elle ressemble encore \u00e0 son tableau.<\/p>\n<p class=\"image-attribution\" style=\"font-size:0.85em;color:#666;\"><em>Image : Inwangjesaekdo (\u00c9claircie apr\u00e8s la pluie sur le mont Inwang) \u2013 Jeong Seon, 1751, Mus\u00e9e national de Cor\u00e9e, S\u00e9oul. Licence : domaine public. Source : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Inwangjesaekdo.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c0 la fin du cinqui\u00e8me mois intercalaire de 1751 \u2013 au c\u0153ur de l&rsquo;\u00e9t\u00e9 cor\u00e9en \u2013, une longue pluie s&rsquo;arr\u00eate enfin sur S\u00e9oul. Le peintre Jeong Seon, qui a alors environ soixante-quinze ans, peint le mont Inwang, au pied duquel il vit, tel qu&rsquo;il appara\u00eet \u00e0 ce moment-l\u00e0 : d&rsquo;\u00e9normes rochers de granit encore noirs&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[472],"tags":[4841,4759,4843,4751,4758,4842,4757,4755,4753,4840],"artist":[4749],"movement":[3188],"museum":[4750],"class_list":["post-1038","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-peinture","tag-art-asiatique","tag-dynastie-joseon","tag-encre-sur-papier","tag-jeong-seon","tag-jingyeong-sansuhwa","tag-mont-inwang","tag-musee-national-de-coree","tag-paysage-coreen","tag-peinture-coreenne","tag-tresor-national-coreen","artist-jeong-seon","movement-joseon-art","museum-national-museum-of-korea-seoul"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Inwangjesaekdo de Jeong Seon : la montagne apr\u00e8s la pluie<\/title>\n<meta name=\"description\" content=\"L&#039;Inwangjesaekdo de Jeong Seon (1751) montre le mont Inwang apr\u00e8s la pluie. 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