{"id":1102,"date":"2026-08-05T05:18:39","date_gmt":"2026-08-05T05:18:39","guid":{"rendered":"https:\/\/artworkpost.com\/jarre-de-lune-en-porcelaine-blanche-joseon\/"},"modified":"2026-10-11T20:55:02","modified_gmt":"2026-10-11T20:55:02","slug":"jarre-de-lune-en-porcelaine-blanche-joseon","status":"publish","type":"post","link":"https:\/\/artworkpost.com\/fr\/jarre-de-lune-en-porcelaine-blanche-joseon\/","title":{"rendered":"Jarre de lune en porcelaine blanche Joseon \u2013 Deux moiti\u00e9s, une lune, et des millions aux ench\u00e8res"},"content":{"rendered":"<p class=\"lead\"><strong>En 1935, un potier anglais, Bernard Leach, ach\u00e8te chez un antiquaire de S\u00e9oul une grande jarre blanche, ronde et un peu de travers. Il dira plus tard que poss\u00e9der un tel objet, c&rsquo;\u00e9tait comme \u00ab poss\u00e9der un morceau de bonheur \u00bb. Pendant la Seconde Guerre mondiale, il la confie \u00e0 son amie, la c\u00e9ramiste Lucie Rie, qui la garde dans son atelier londonien. Elle est aujourd&rsquo;hui au British Museum. Ces jarres, que les Cor\u00e9ens appellent <em>dal hangari<\/em>, \u00ab jarres de lune \u00bb, n&rsquo;ont \u00e9t\u00e9 produites qu&rsquo;en Cor\u00e9e, pendant \u00e0 peine un si\u00e8cle. En 2023, l&rsquo;une d&rsquo;elles a \u00e9t\u00e9 vendue plus de 4,5 millions de dollars.<\/strong><\/p>\n<h2>En bref<\/h2>\n<ul>\n<li><strong>Artiste :<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/artist\/unknown\/\">potiers anonymes des ateliers royaux<\/a><\/li>\n<li><strong>Date :<\/strong> fin du XVII<sup>e<\/sup> si\u00e8cle \u2013 XVIII<sup>e<\/sup> si\u00e8cle<\/li>\n<li><strong>Nom cor\u00e9en :<\/strong> <em>baekja dal hangari<\/em>, \u00ab jarre de lune en porcelaine blanche \u00bb<\/li>\n<li><strong>Technique :<\/strong> porcelaine blanche, deux moiti\u00e9s tourn\u00e9es s\u00e9par\u00e9ment puis assembl\u00e9es, gla\u00e7ure transparente<\/li>\n<li><strong>Dimensions :<\/strong> g\u00e9n\u00e9ralement plus de 40 cm de haut ; 41 cm pour l&rsquo;exemplaire du Mus\u00e9e national de Cor\u00e9e<\/li>\n<li><strong>Mouvement :<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/movement\/joseon-art\/\">Art Joseon<\/a><\/li>\n<li><strong>O\u00f9 en voir :<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/museum\/national-museum-of-korea-seoul\/\">Mus\u00e9e national de Cor\u00e9e, S\u00e9oul<\/a> (Tr\u00e9sor n\u00b0 1437), et d&rsquo;autres mus\u00e9es en Cor\u00e9e et dans le monde<\/li>\n<\/ul>\n<h2>Une forme que l&rsquo;on ne trouve qu&rsquo;en Cor\u00e9e<\/h2>\n<p>La porcelaine \u00e9tait fabriqu\u00e9e dans de nombreux pays au XVIII<sup>e<\/sup> si\u00e8cle. Mais ces grandes jarres sph\u00e9riques, d&rsquo;un blanc laiteux, sans d\u00e9cor, n&rsquo;existent qu&rsquo;en Cor\u00e9e, sous la dynastie Joseon. Elles ont \u00e9t\u00e9 produites entre la fin du XVII<sup>e<\/sup> si\u00e8cle et le XVIII<sup>e<\/sup> si\u00e8cle, notamment dans les fours officiels de Geumsa-ri, dans la r\u00e9gion de Gwangju, qui fournissaient la cour.<\/p>\n<p>Ce n&rsquo;\u00e9taient pas des objets de d\u00e9coration. On y conservait du riz, de la sauce de soja ou de l&rsquo;alcool ; on y disposait parfois des fleurs. Seule une petite partie a surv\u00e9cu : on estime souvent qu&rsquo;il en reste une vingtaine d&rsquo;exemplaires anciens.<\/p>\n<h2>Deux moiti\u00e9s et la gravit\u00e9<\/h2>\n<p>Une jarre de cette taille ne pouvait pas \u00eatre tourn\u00e9e d&rsquo;un seul tenant : l&rsquo;argile se serait effondr\u00e9e sous son propre poids. Les potiers tournaient donc deux grands bols, puis les assemblaient par leur ouverture, avant la cuisson. La jointure reste souvent visible : un l\u00e9ger renflement au milieu de la panse.<\/p>\n<p>Pendant la cuisson, \u00e0 tr\u00e8s haute temp\u00e9rature, la jarre se d\u00e9forme un peu. Elle s&rsquo;affaisse d&rsquo;un c\u00f4t\u00e9, se bombe de l&rsquo;autre. Comme l&rsquo;explique le Mus\u00e9e national de Cor\u00e9e, son charme na\u00eet de cette \u00ab harmonie \u00bb entre la force de la gravit\u00e9, qui tire l&rsquo;argile vers le bas, et la volont\u00e9 du potier de lui donner une forme pleine. Aucune jarre n&rsquo;est parfaitement ronde, et aucune n&rsquo;est semblable \u00e0 une autre.<\/p>\n<h2>Symbolisme et d\u00e9tails \u00e0 observer<\/h2>\n<p><strong>Le blanc.<\/strong> Il n&rsquo;est jamais uniforme. Selon la p\u00e2te, la gla\u00e7ure et la cuisson, il tire vers l&rsquo;ivoire, le gris bleut\u00e9 ou le cr\u00e8me. Un peintre cor\u00e9en disait que \u00ab tous les blancs sont diff\u00e9rents \u00bb.<\/p>\n<p><strong>La jointure.<\/strong> Cherchez au milieu de la jarre la ligne o\u00f9 les deux moiti\u00e9s se rejoignent. C&rsquo;est la trace la plus visible du geste du potier.<\/p>\n<p><strong>Les accidents de cuisson.<\/strong> Certaines jarres portent des taches de couleur p\u00eache ou des craquelures fines dans la gla\u00e7ure, n\u00e9es du hasard du feu. On les consid\u00e8re aujourd&rsquo;hui comme des qualit\u00e9s.<\/p>\n<p><strong>La sobri\u00e9t\u00e9.<\/strong> Pas de d\u00e9cor, pas de signature. Le blanc, la forme et la lumi\u00e8re suffisent. Cette aust\u00e9rit\u00e9 correspond \u00e0 l&rsquo;id\u00e9al des lettr\u00e9s confuc\u00e9ens de l&rsquo;\u00e9poque Joseon, qui valorisaient la frugalit\u00e9 et la retenue.<\/p>\n<h2>Une ic\u00f4ne du XX<sup>e<\/sup> si\u00e8cle<\/h2>\n<p>Le nom de \u00ab jarre de lune \u00bb est moderne : il vient de la forme ronde et de la couleur, qui \u00e9voquent la pleine lune. C&rsquo;est au XX<sup>e<\/sup> si\u00e8cle que ces jarres sont devenues c\u00e9l\u00e8bres. Apr\u00e8s la Seconde Guerre mondiale, une g\u00e9n\u00e9ration d&rsquo;artistes et d&rsquo;historiens cor\u00e9ens, d\u00e9sireux de reconstruire une histoire de l&rsquo;art nationale apr\u00e8s la colonisation japonaise, en a fait un embl\u00e8me. Leur forme simple r\u00e9sonnait aussi avec le go\u00fbt moderne pour le d\u00e9pouillement \u2013 celui-l\u00e0 m\u00eame que l&rsquo;on retrouve chez Mondrian, avec sa <a href=\"https:\/\/artworkpost.com\/fr\/composition-avec-rouge-bleu-et-jaune\/\">Composition avec rouge, bleu et jaune<\/a>.<\/p>\n<p>Aujourd&rsquo;hui, la jarre de lune est partout : dans l&rsquo;\u0153uvre de nombreux c\u00e9ramistes contemporains, dans le design, dans la publicit\u00e9, jusque dans les souvenirs touristiques. Une ancienne directrice du Victoria and Albert Museum de Londres l&rsquo;a qualifi\u00e9e d&rsquo;\u00ab ic\u00f4ne de l&rsquo;identit\u00e9 cor\u00e9enne \u00bb. Le chanteur RM, du groupe BTS, ou l&rsquo;\u00e9crivain Alain de Botton comptent parmi ses admirateurs.<\/p>\n<p>Le march\u00e9 de l&rsquo;art l&rsquo;a suivie : en mars 2023, une jarre de lune du XVIII<sup>e<\/sup> si\u00e8cle a \u00e9t\u00e9 vendue plus de 4,5 millions de dollars chez Christie&rsquo;s \u00e0 New York ; en mars 2025, une autre a d\u00e9pass\u00e9 2,8 millions de dollars.<\/p>\n<h2>Les grandes jarres de Cor\u00e9e<\/h2>\n<p>En Cor\u00e9e, plusieurs jarres de lune sont prot\u00e9g\u00e9es comme biens culturels. Le Mus\u00e9e national de Cor\u00e9e conserve l&rsquo;une des plus belles, class\u00e9e Tr\u00e9sor sous le n\u00b0 1437 : elle mesure 41 cm, date du d\u00e9but du XVIII<sup>e<\/sup> si\u00e8cle, et pr\u00e9sente une l\u00e9g\u00e8re d\u00e9formation et de fines craquelures dans sa gla\u00e7ure. D&rsquo;autres, plus grandes encore, ont \u00e9t\u00e9 d\u00e9sign\u00e9es Tr\u00e9sors nationaux : l&rsquo;une, de 49 cm, appartient au mus\u00e9e de l&rsquo;universit\u00e9 de Yongin, une autre, de 44 cm, au Leeum, Samsung Museum of Art, \u00e0 S\u00e9oul \u2013 le mus\u00e9e qui conserve aussi le <a href=\"https:\/\/artworkpost.com\/fr\/geumgangjeondo-vue-generale-du-mont-geumgangsan\/\">Geumgangjeondo<\/a> de Jeong Seon.<\/p>\n<p>Les jarres de lune sont contemporaines des grands paysages de Jeong Seon, comme l&rsquo;<a href=\"https:\/\/artworkpost.com\/fr\/inwangjesaekdo-eclaircies-apres-la-pluie-sur-le-mont-inwang\/\">Inwangjesaekdo<\/a>, peint en 1751 : le m\u00eame XVIII<sup>e<\/sup> si\u00e8cle de Joseon, \u00e9pris de simplicit\u00e9 et de v\u00e9rit\u00e9.<\/p>\n<h2>Et en France ?<\/h2>\n<p><strong>Une exposition pour l&rsquo;Ann\u00e9e France-Cor\u00e9e.<\/strong> En 2015-2016, pour l&rsquo;Ann\u00e9e France-Cor\u00e9e, la R\u00e9union des mus\u00e9es nationaux\u2013Grand Palais et le Mus\u00e9e national de Cor\u00e9e, avec le concours de S\u00e8vres\u2013Cit\u00e9 de la c\u00e9ramique, ont organis\u00e9 l&rsquo;exposition \u00ab La Terre, le Feu, l&rsquo;Esprit \u2013 Chefs-d&rsquo;\u0153uvre de la c\u00e9ramique cor\u00e9enne \u00bb. Les jarres de lune y figuraient parmi les pi\u00e8ces les plus remarqu\u00e9es.<\/p>\n<p><strong>Une jarre de lune au mus\u00e9e Cernuschi.<\/strong> Le mus\u00e9e Cernuschi, mus\u00e9e des arts de l&rsquo;Asie de la Ville de Paris, conserve une jarre de lune contemporaine du c\u00e9ramiste cor\u00e9en Shin Chul, r\u00e9alis\u00e9e en 2014 et entr\u00e9e dans les collections en 2016. Elle t\u00e9moigne de la vitalit\u00e9 de cette forme, encore travaill\u00e9e aujourd&rsquo;hui par de nombreux potiers cor\u00e9ens selon les techniques h\u00e9rit\u00e9es de l&rsquo;\u00e9poque Joseon.<\/p>\n<p><strong>La lune \u00e0 Guimet en 2026.<\/strong> En 2026, le mus\u00e9e Guimet consacre une ann\u00e9e enti\u00e8re \u00e0 la Cor\u00e9e. L&rsquo;artiste cor\u00e9enne Seulgi Lee, install\u00e9e \u00e0 Paris depuis 1992, y a con\u00e7u \u00ab DAL DARI, La Lune et les Jambes \u00bb : <em>dal<\/em>, en cor\u00e9en, signifie la lune, celle-l\u00e0 m\u00eame qui a donn\u00e9 son nom aux <em>dal hangari<\/em>. La lune, rappelle le mus\u00e9e, occupe une place centrale dans l&rsquo;art et la culture cor\u00e9enne, au moins depuis l&rsquo;\u00e9poque Joseon \u2013 comme en t\u00e9moigne aussi le paravent royal de l&rsquo;<a href=\"https:\/\/artworkpost.com\/fr\/irworobongdo-peinture-du-soleil-de-la-lune-et-des-cinq-pics\/\">Irworobongdo<\/a>.<\/p>\n<h2>O\u00f9 voir une jarre de lune aujourd&rsquo;hui<\/h2>\n<ul>\n<li><strong>\u00c0 S\u00e9oul :<\/strong> au Mus\u00e9e national de Cor\u00e9e, dans le quartier de Yongsan, o\u00f9 l&rsquo;entr\u00e9e aux collections permanentes est gratuite. Dans le m\u00eame mus\u00e9e, ne manquez pas le <a href=\"https:\/\/artworkpost.com\/fr\/bodhisattva-pensif-tresor-national-n-78\/\">Bodhisattva pensif<\/a>. D&rsquo;autres jarres sont conserv\u00e9es au Leeum et dans plusieurs mus\u00e9es cor\u00e9ens.<\/li>\n<li><strong>\u00c0 Londres :<\/strong> au British Museum, la jarre de Bernard Leach, acquise en 1999.<\/li>\n<li><strong>\u00c0 New York :<\/strong> au Metropolitan Museum of Art, une jarre de la seconde moiti\u00e9 du XVIII<sup>e<\/sup> si\u00e8cle, aux taches de couleur p\u00eache \u2013 pas toujours expos\u00e9e.<\/li>\n<li><strong>\u00c0 Paris :<\/strong> une jarre de lune contemporaine au mus\u00e9e Cernuschi, et la programmation cor\u00e9enne du mus\u00e9e Guimet en 2026. V\u00e9rifiez sur les sites des mus\u00e9es ce qui est pr\u00e9sent\u00e9.<\/li>\n<\/ul>\n<h2>Questions fr\u00e9quentes<\/h2>\n<h3>Pourquoi parle-t-on de \u00ab jarre de lune \u00bb ?<\/h3>\n<p>\u00c0 cause de sa forme ronde et de son blanc laiteux, qui \u00e9voquent la pleine lune. Le nom cor\u00e9en <em>dal hangari<\/em> signifie \u00ab jarre de lune \u00bb. Ce nom est moderne.<\/p>\n<h3>Comment les jarres de lune \u00e9taient-elles fabriqu\u00e9es ?<\/h3>\n<p>Les potiers tournaient deux moiti\u00e9s s\u00e9par\u00e9ment, puis les assemblaient avant la cuisson. La jointure est souvent visible au milieu de la jarre, et la cuisson d\u00e9formait l\u00e9g\u00e8rement l&rsquo;ensemble.<\/p>\n<h3>Existe-t-il des jarres de lune ailleurs qu&rsquo;en Cor\u00e9e ?<\/h3>\n<p>Non : ce type de jarre est propre \u00e0 la Cor\u00e9e de l&rsquo;\u00e9poque Joseon. Il a \u00e9t\u00e9 produit de la fin du XVII<sup>e<\/sup> si\u00e8cle au XVIII<sup>e<\/sup> si\u00e8cle.<\/p>\n<h3>Combien vaut une jarre de lune ?<\/h3>\n<p>Les exemplaires anciens d\u00e9passent souvent le million de dollars aux ench\u00e8res. En mars 2023, l&rsquo;un d&rsquo;eux a \u00e9t\u00e9 vendu plus de 4,5 millions de dollars chez Christie&rsquo;s.<\/p>\n<h3>Peut-on voir une jarre de lune en France ?<\/h3>\n<p>Le mus\u00e9e Cernuschi, \u00e0 Paris, conserve une jarre de lune contemporaine du c\u00e9ramiste Shin Chul. Les grandes jarres anciennes se trouvent principalement en Cor\u00e9e, \u00e0 Londres et \u00e0 New York.<\/p>\n<p>Deux bols d&rsquo;argile, assembl\u00e9s, cuits, un peu affaiss\u00e9s : c&rsquo;est tout. Les potiers de Joseon ne signaient pas leurs jarres et ne pensaient sans doute pas faire \u0153uvre d&rsquo;art. Trois si\u00e8cles plus tard, leurs pots \u00e0 riz sont devenus l&rsquo;image d&rsquo;un pays et de toute une id\u00e9e de la beaut\u00e9 \u2013 ronde, blanche et imparfaite, comme la lune.<\/p>\n<p class=\"image-attribution\" style=\"font-size:0.85em;color:#666;\"><em>Image : Jarre de lune en porcelaine blanche (Tr\u00e9sor national, anciennement n\u00b0 262), XVIII<sup>e<\/sup> si\u00e8cle, mus\u00e9e de l&rsquo;universit\u00e9 de Yongin. Licence : domaine public. Source : <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:White_Porcelain_Moon_Jar_(National_Treasure_No._262)_01.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En 1935, un potier anglais, Bernard Leach, ach\u00e8te chez un antiquaire de S\u00e9oul une grande jarre blanche, ronde et un peu de travers. Il dira plus tard que poss\u00e9der un tel objet, c&rsquo;\u00e9tait comme \u00ab poss\u00e9der un morceau de bonheur \u00bb. Pendant la Seconde Guerre mondiale, il la confie \u00e0 son amie, la c\u00e9ramiste Lucie&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1097,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[5064],"tags":[5069,4752,5070,5067,4759,5065,5071,4757,5066,5068],"artist":[1704],"movement":[3188],"museum":[4750],"class_list":["post-1102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pottery","tag-art-coreen-traditionnel","tag-art-joseon","tag-artisanat-joseon","tag-ceramique-coreenne","tag-dynastie-joseon","tag-jarre-de-lune","tag-minimalisme-coreen","tag-musee-national-de-coree","tag-porcelaine-blanche","tag-poterie-asiatique","artist-unknown","movement-joseon-art","museum-national-museum-of-korea-seoul"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jarre de lune cor\u00e9enne : la beaut\u00e9 d&#039;une forme imparfaite<\/title>\n<meta name=\"description\" content=\"La jarre de lune, porcelaine blanche cor\u00e9enne du XVIIIe si\u00e8cle, faite de deux moiti\u00e9s : Leach, records aux ench\u00e8res et Paris en 2026.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artworkpost.com\/fr\/jarre-de-lune-en-porcelaine-blanche-joseon\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jarre de lune cor\u00e9enne : la beaut\u00e9 d&#039;une forme imparfaite\" \/>\n<meta property=\"og:description\" content=\"La jarre de lune, porcelaine blanche cor\u00e9enne du XVIIIe si\u00e8cle, faite de deux moiti\u00e9s : 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