{"id":201,"date":"2026-06-22T22:06:30","date_gmt":"2026-06-22T22:06:30","guid":{"rendered":"https:\/\/artworkpost.com\/le-cri\/"},"modified":"2026-06-22T22:06:30","modified_gmt":"2026-06-22T22:06:30","slug":"le-cri","status":"publish","type":"post","link":"https:\/\/artworkpost.com\/fr\/le-cri\/","title":{"rendered":"Le Cri"},"content":{"rendered":"<p class=\"lead\"><strong>Saviez-vous que <strong>Le Cri<\/strong> n&rsquo;est pas un tableau unique ? Edvard Munch a cr\u00e9\u00e9 au moins quatre versions de cette composition bouleversante entre 1893 et 1910 \u2014 en peinture, en pastel et en lithographie. Pourtant, c&rsquo;est la version de 1893 qui hante les m\u00e9moires et qui a transform\u00e9 pour toujours notre fa\u00e7on de repr\u00e9senter l&rsquo;angoisse humaine. Le Cri est bien plus qu&rsquo;une image c\u00e9l\u00e8bre : c&rsquo;est un cri d&rsquo;\u00e2me grav\u00e9 dans la mati\u00e8re.<\/strong><\/p>\n<h2>En bref<\/h2>\n<ul>\n<li><strong>Artiste:<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/artist\/edvard-munch\/\">Edvard Munch<\/a><\/li>\n<li><strong>Ann\u00e9e:<\/strong> 1893<\/li>\n<li><strong>Technique:<\/strong> Huile, tempera et pastel sur carton<\/li>\n<li><strong>Dimensions:<\/strong> 91 \u00d7 73,5 cm<\/li>\n<li><strong>Mouvement:<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/movement\/expressionism\/\">Expressionnisme<\/a><\/li>\n<li><strong>Localisation actuelle:<\/strong> <a href=\"https:\/\/artworkpost.com\/fr\/museum\/national-museum-oslo\/\">Mus\u00e9e National, Oslo<\/a><\/li>\n<\/ul>\n<h2>Qu&rsquo;est-ce qui rend cette \u0153uvre inoubliable ?<\/h2>\n<p>Le Cri ne repr\u00e9sente pas une sc\u00e8ne ext\u00e9rieure. Il repr\u00e9sente un \u00e9tat int\u00e9rieur. C&rsquo;est l\u00e0 toute sa force r\u00e9volutionnaire. Munch ne peint pas ce qu&rsquo;il voit ; il peint ce qu&rsquo;il ressent. La figure centrale ne crie pas face \u00e0 un danger concret. Elle crie parce que le monde lui-m\u00eame semble crier autour d&rsquo;elle.<\/p>\n<p>Ce renversement est radical. En 1893, les peintres cherchaient encore \u00e0 capturer la r\u00e9alit\u00e9 visible. Munch, lui, plonge directement dans la psych\u00e9 humaine. Il invente ainsi un nouveau langage pictural, celui de l&rsquo;\u00e9motion pure traduite en couleur, en ligne et en forme d\u00e9form\u00e9e.<\/p>\n<p>De plus, le visage de la figure est universel : sans \u00e2ge, sans genre, sans nationalit\u00e9 pr\u00e9cise. N&rsquo;importe quel spectateur peut s&rsquo;y reconna\u00eetre. C&rsquo;est pr\u00e9cis\u00e9ment pourquoi Le Cri est devenu l&rsquo;ic\u00f4ne de la d\u00e9tresse existentielle moderne.<\/p>\n<h2>Contexte historique<\/h2>\n<p>En 1893, l&rsquo;Europe est en pleine effervescence intellectuelle et artistique. Le positivisme scientifique domine, mais une vague d&rsquo;inqui\u00e9tude souterraine monte. Nietzsche proclame la mort de Dieu. Freud commence \u00e0 explorer l&rsquo;inconscient. La modernit\u00e9 industrielle bouleverse les modes de vie traditionnels.<\/p>\n<p>Dans ce contexte, l&rsquo;art symboliste cherche \u00e0 d\u00e9passer les apparences pour toucher l&rsquo;invisible. Munch va plus loin encore. Il s&rsquo;inspire d&rsquo;une exp\u00e9rience personnelle v\u00e9cue lors d&rsquo;une promenade au-dessus du fjord d&rsquo;Oslo, un soir de janvier 1892. Dans son journal, il d\u00e9crit le ciel devenu \u00ab rouge sang \u00bb, les nuages ressemblant \u00e0 \u00ab des langues de feu \u00bb. Il note avoir ressenti \u00ab un cri infini traverser la nature \u00bb.<\/p>\n<p>Ce moment autobiographique devient donc une m\u00e9ditation universelle. Ainsi na\u00eet l&rsquo;\u0153uvre qui marquera profond\u00e9ment l&rsquo;expressionnisme allemand quelques ann\u00e9es plus tard.<\/p>\n<h2>Symbolisme et points \u00e0 observer<\/h2>\n<p>Placez-vous devant Le Cri et regardez d&rsquo;abord le ciel. Ces tourbillons de rouge, d&rsquo;orange et de jaune ne sont pas un coucher de soleil romantique. Ils sont mena\u00e7ants, presque carnivores. Munch utilise des courbes violentes qui semblent avaler la figure centrale.<\/p>\n<p>Observez ensuite les lignes du paysage. Le pont, le fjord et les collines forment des diagonales rigides qui contrastent avec les ondulations organiques du ciel. Cette tension entre le rectiligne et le sinueux amplifie le sentiment de d\u00e9sorientation.<\/p>\n<p>La figure centrale est fascinante par sa simplicit\u00e9. Son visage ovale, ses orbites creuses, sa bouche ouverte en O \u2014 tout rappelle un cr\u00e2ne. C&rsquo;est une \u00e9vocation subtile de la mort et de la fragilit\u00e9 humaine.<\/p>\n<p>\u00c0 l&rsquo;arri\u00e8re-plan, deux silhouettes sombres marchent calmement sur le pont. Leur indiff\u00e9rence totale renforce l&rsquo;isolement absolu de la figure principale. En outre, regardez les mains plaqu\u00e9es contre les oreilles : la figure cherche-t-elle \u00e0 se prot\u00e9ger d&rsquo;un bruit ext\u00e9rieur ou d&rsquo;un tumulte int\u00e9rieur ? Munch laisse d\u00e9lib\u00e9r\u00e9ment la question ouverte.<\/p>\n<h2>\u00c0 propos de Edvard Munch<\/h2>\n<p>Edvard Munch na\u00eet le 12 d\u00e9cembre 1863 \u00e0 L\u00f8ten, en Norv\u00e8ge. Son enfance est marqu\u00e9e par la mort. Sa m\u00e8re dispara\u00eet quand il a cinq ans, sa s\u0153ur Sophie \u00e0 quinze ans. Son p\u00e8re sombre dans la d\u00e9pression religieuse. Ces deuils r\u00e9p\u00e9t\u00e9s forgent une sensibilit\u00e9 hypervuln\u00e9rable qui alimentera toute son \u0153uvre.<\/p>\n<p>Form\u00e9 \u00e0 Christiania (aujourd&rsquo;hui Oslo), il voyage \u00e0 Paris o\u00f9 il d\u00e9couvre Gauguin, Van Gogh et les impressionnistes. Cependant, il s&rsquo;en \u00e9loigne vite. Il d\u00e9veloppe un style radicalement personnel, centr\u00e9 sur les th\u00e8mes de l&rsquo;amour, de la jalousie, de l&rsquo;angoisse et de la mort.<\/p>\n<p>Sa s\u00e9rie de tableaux intitul\u00e9e <em>La Frise de la vie<\/em>, dont Le Cri fait partie, constitue son grand \u0153uvre. Munch meurt le 23 janvier 1944 \u00e0 Oslo, \u00e0 l&rsquo;\u00e2ge de 80 ans, laissant un legs artistique consid\u00e9rable au peuple norv\u00e9gien.<\/p>\n<h2>H\u00e9ritage et influence<\/h2>\n<p>L&rsquo;influence du Cri sur l&rsquo;art du XXe si\u00e8cle est immense. Les expressionnistes allemands \u2014 Ernst Ludwig Kirchner, Emil Nolde, Ernst Barlach \u2014 puisent directement dans son vocabulaire visuel : la d\u00e9formation des formes, les couleurs \u00e9motionnelles, la subjectivit\u00e9 radicale.<\/p>\n<p>Plus tard, Francis Bacon et Andy Warhol revisitent l&rsquo;image. En 1983, Warhol en r\u00e9alise une s\u00e9rigraphie embl\u00e9matique qui propulse Le Cri dans l&rsquo;univers de la culture populaire. Aujourd&rsquo;hui, le visage de la figure appara\u00eet sur des milliers de produits d\u00e9riv\u00e9s, de films d&rsquo;horreur et de m\u00e8mes internet.<\/p>\n<p>Par ailleurs, l&rsquo;\u0153uvre a \u00e9t\u00e9 vol\u00e9e deux fois : en 1994 et en 2004. Ces vols ont paradoxalement amplifi\u00e9 sa notori\u00e9t\u00e9 mondiale. Les deux fois, le tableau a \u00e9t\u00e9 r\u00e9cup\u00e9r\u00e9 intact. Sa valeur symbolique et marchande reste parmi les plus \u00e9lev\u00e9es de l&rsquo;histoire de l&rsquo;art.<\/p>\n<h2>O\u00f9 voir l&rsquo;\u0153uvre aujourd&rsquo;hui<\/h2>\n<p>La version de 1893 est conserv\u00e9e au <strong>Mus\u00e9e National d&rsquo;Oslo<\/strong> (Nasjonalmuseet), inaugur\u00e9 dans son nouveau b\u00e2timent en juin 2022. Ce mus\u00e9e est le plus grand mus\u00e9e d&rsquo;art des pays nordiques. Il se situe au bord du fjord d&rsquo;Oslo, \u00e0 quelques minutes \u00e0 pied de la mairie et du c\u00e9l\u00e8bre h\u00f4tel de ville.<\/p>\n<p>Conseil pratique : r\u00e9servez vos billets en ligne \u00e0 l&rsquo;avance, surtout en \u00e9t\u00e9. Les files d&rsquo;attente peuvent \u00eatre longues. Le tableau b\u00e9n\u00e9ficie d&rsquo;un espace d\u00e9di\u00e9, bien \u00e9clair\u00e9 et peu encombr\u00e9 en semaine.<\/p>\n<p>Pendant votre visite, ne manquez pas les autres chefs-d&rsquo;\u0153uvre de Munch expos\u00e9s au mus\u00e9e, notamment <em>Madonna<\/em> et <em>La Pubert\u00e9<\/em>. \u00c0 moins de dix minutes \u00e0 pied, le <strong>Mus\u00e9e Munch<\/strong> (Munchmuseet) sur l&rsquo;\u00eele de Bj\u00f8rvika propose une plong\u00e9e encore plus compl\u00e8te dans l&rsquo;univers de l&rsquo;artiste, avec plus de 26 000 \u0153uvres dans ses collections.<\/p>\n<h2>Questions fr\u00e9quentes<\/h2>\n<h3>Pourquoi Le Cri est-il si c\u00e9l\u00e8bre ?<\/h3>\n<p>Le Cri est c\u00e9l\u00e8bre parce qu&rsquo;il exprime une \u00e9motion universelle \u2014 l&rsquo;angoisse existentielle \u2014 avec une puissance visuelle imm\u00e9diate. Sa simplicit\u00e9 formelle et son intensit\u00e9 \u00e9motionnelle le rendent accessible \u00e0 tous les publics et toutes les cultures.<\/p>\n<h3>Combien de versions du Cri existent-elles ?<\/h3>\n<p>Munch a r\u00e9alis\u00e9 au moins quatre versions de cette composition : deux en peinture (1893 et 1910), une en pastel (1893) et plusieurs lithographies. La version \u00e0 la tempera et au pastel de 1893 est la plus connue.<\/p>\n<h3>Le Cri a-t-il vraiment \u00e9t\u00e9 vol\u00e9 ?<\/h3>\n<p>Oui, \u00e0 deux reprises. En f\u00e9vrier 1994, des voleurs ont emport\u00e9 la version de 1893 depuis le Mus\u00e9e National d&rsquo;Oslo en quelques secondes. En ao\u00fbt 2004, la version de 1910 a \u00e9t\u00e9 d\u00e9rob\u00e9e au Mus\u00e9e Munch. Les deux tableaux ont \u00e9t\u00e9 r\u00e9cup\u00e9r\u00e9s sans dommages majeurs.<\/p>\n<h3>Quel est le vrai titre de l&rsquo;\u0153uvre en norv\u00e9gien ?<\/h3>\n<p>Le titre original norv\u00e9gien est <em>Skrik<\/em>, qui signifie simplement \u00ab Cri \u00bb. Le titre allemand sous lequel l&rsquo;\u0153uvre fut expos\u00e9e pour la premi\u00e8re fois est <em>Der Schrei der Natur<\/em>, soit \u00ab Le Cri de la nature \u00bb.<\/p>\n<h3>Combien vaut Le Cri ?<\/h3>\n<p>En mai 2012, une version au pastel de 1895, appartenant \u00e0 une collection priv\u00e9e, a \u00e9t\u00e9 vendue chez Sotheby&rsquo;s pour environ 119,9 millions de dollars. C&rsquo;est l&rsquo;un des prix les plus \u00e9lev\u00e9s jamais atteints aux ench\u00e8res pour une \u0153uvre d&rsquo;art.<\/p>\n<p>Le Cri vous a touch\u00e9, interrog\u00e9, fascin\u00e9 ? Explorez d\u00e8s maintenant les autres chefs-d&rsquo;\u0153uvre de l&rsquo;expressionnisme sur notre site. De Kirchner \u00e0 Kokoschka, en passant par les plus grandes ic\u00f4nes de l&rsquo;art moderne, une collection d&rsquo;articles vous attend pour approfondir votre regard et enrichir votre passion pour la peinture.<\/p>\n<p class=\"image-attribution\" style=\"font-size:0.85em;color:#666;\"><em>Image: The Scream \u2013 Edvard Munch (1893). Licence: Public Domain. Source: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Edvard_Munch,_1893,_The_Scream,_oil,_tempera_and_pastel_on_cardboard,_91_x_73_cm,_National_Gallery_of_Norway.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saviez-vous que Le Cri n&rsquo;est pas un tableau unique ? Edvard Munch a cr\u00e9\u00e9 au moins quatre versions de cette composition bouleversante entre 1893 et 1910 \u2014 en peinture, en pastel et en lithographie. Pourtant, c&rsquo;est la version de 1893 qui hante les m\u00e9moires et qui a transform\u00e9 pour toujours notre fa\u00e7on de repr\u00e9senter l&rsquo;angoisse&#8230;<\/p>\n","protected":false},"author":1,"featured_media":123,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[472],"tags":[1024,689,590,1020,1021,1019,1023,1022,478,477],"artist":[1016],"movement":[1017],"museum":[1018],"class_list":["post-201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-peinture","tag-angoisse-existentielle","tag-art-moderne","tag-chef-doeuvre","tag-edvard-munch","tag-expressionnisme","tag-le-cri","tag-musee-national-oslo","tag-peinture-norvegienne","tag-symbolisme","tag-xixe-siecle","artist-edvard-munch","movement-expressionism","museum-national-museum-oslo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Cri d&#039;Edvard Munch (1893) \u2013 Chef-d&#039;\u0153uvre expressionniste<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez Le Cri d&#039;Edvard Munch, ic\u00f4ne de l&#039;expressionnisme peinte en 1893. 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