{"id":1035,"date":"2026-07-31T05:18:45","date_gmt":"2026-07-31T05:18:45","guid":{"rendered":"https:\/\/artworkpost.com\/inwangjesaekdo-przejasnienie-po-deszczu-nad-gora-inwang\/"},"modified":"2026-09-16T19:42:08","modified_gmt":"2026-09-16T19:42:08","slug":"inwangjesaekdo-przejasnienie-po-deszczu-nad-gora-inwang","status":"publish","type":"post","link":"https:\/\/artworkpost.com\/pl\/inwangjesaekdo-przejasnienie-po-deszczu-nad-gora-inwang\/","title":{"rendered":"Inwangjesaekdo (Przeja\u015bnienie po deszczu nad g\u00f3r\u0105 Inwang)"},"content":{"rendered":"<p class=\"lead\"><strong>Ten obraz ma dat\u0119 dzienn\u0105. Jeong Seon zapisa\u0142 na nim, \u017ce powsta\u0142 w intercalarnym pi\u0105tym miesi\u0105cu roku sinmi \u2014 czyli w lipcu 1751. To niezwyk\u0142e u malarza, kt\u00f3ry dat zwykle nie podawa\u0142. Tego samego miesi\u0105ca umiera\u0142 jego najbli\u017cszy przyjaciel, poeta Yi Byeong-yeon. Znali si\u0119 ponad p\u00f3\u0142 wieku i razem chodzili po tej g\u00f3rze.<\/strong><\/p>\n<h2>Najwa\u017cniejsze fakty<\/h2>\n<ul>\n<li><strong>Artysta:<\/strong> <a href=\"https:\/\/artworkpost.com\/pl\/artist\/jeong-seon\/\">Jeong Seon (1676\u20131759)<\/a><\/li>\n<li><strong>Nazwa korea\u0144ska:<\/strong> \uc778\uc655\uc81c\uc0c9\ub3c4 (<em>Inwang jesaekdo<\/em>)<\/li>\n<li><strong>Rok:<\/strong> 1751<\/li>\n<li><strong>Technika:<\/strong> tusz na papierze<\/li>\n<li><strong>Wymiary:<\/strong> 79,2 \u00d7 138,2 cm<\/li>\n<li><strong>Status:<\/strong> korea\u0144ski skarb narodowy<\/li>\n<li><strong>Epoka:<\/strong> <a href=\"https:\/\/artworkpost.com\/pl\/movement\/joseon-art\/\">dynastia Joseon<\/a><\/li>\n<li><strong>Lokalizacja:<\/strong> <a href=\"https:\/\/artworkpost.com\/pl\/museum\/national-museum-of-korea-seoul\/\">Muzeum Narodowe Korei, Seul<\/a><\/li>\n<\/ul>\n<h2>Co czyni ten obraz wyj\u0105tkowym?<\/h2>\n<p>Korea\u0144scy malarze przez stulecia odtwarzali chi\u0144skie wzorce \u2014 g\u00f3ry, kt\u00f3rych nie widzieli, wed\u0142ug regu\u0142 z podr\u0119cznik\u00f3w.<\/p>\n<p>Jeong Seon namalowa\u0142 g\u00f3r\u0119, kt\u00f3r\u0105 widzia\u0142 z okna.<\/p>\n<p>Inwangsan wznosi si\u0119 w zachodniej cz\u0119\u015bci Seulu, wtedy zwanego Hanyang. Malarz mieszka\u0142 u jej podn\u00f3\u017ca, w dzielnicy, w kt\u00f3rej sp\u0119dzi\u0142 wi\u0119kszo\u015b\u0107 \u017cycia.<\/p>\n<p><strong>To jeden ze szczytowych przyk\u0142ad\u00f3w nurtu <em>jingyeong sansuhwa<\/em><\/strong> \u2014 malarstwa prawdziwego pejza\u017cu, kt\u00f3rego Jeong Seon by\u0142 tw\u00f3rc\u0105. Obraz nie przedstawia idea\u0142u natury, tylko konkretn\u0105 ska\u0142\u0119 w konkretny poranek.<\/p>\n<p>Warto doda\u0107, \u017ce w odr\u00f3\u017cnieniu od <a href=\"https:\/\/artworkpost.com\/pl\/geumgangjeondo\/\">\u201eGeumgangjeondo&#8221;<\/a>, gdzie widok jest syntez\u0105 kilku punkt\u00f3w, tutaj perspektywa jest pojedyncza. Patrzymy z jednego miejsca.<\/p>\n<h2>Co si\u0119 wtedy dzia\u0142o<\/h2>\n<p>To kontekst, kt\u00f3ry zmienia odbi\u00f3r tego obrazu.<\/p>\n<p><strong>Yi Byeong-yeon<\/strong> by\u0142 poet\u0105 i najbli\u017cszym przyjacielem Jeong Seona. Znali si\u0119 od m\u0142odo\u015bci, przez ponad pi\u0119\u0107dziesi\u0105t lat. Wsp\u00f3lnie chodzili po Inwangsan; poeta pisa\u0142 wiersze, malarz szkicowa\u0142.<\/p>\n<p>W 1751 roku Yi Byeong-yeon ci\u0119\u017cko zachorowa\u0142. <strong>Zmar\u0142 kilka dni po dacie zapisanej na obrazie.<\/strong><\/p>\n<p>St\u0105d powszechne odczytanie: to obraz namalowany przy umieraj\u0105cym przyjacielu. Rozja\u015bniaj\u0105ce si\u0119 po deszczu niebo bywa interpretowane jako nadzieja na jego wyzdrowienie albo jako po\u017cegnanie.<\/p>\n<p><strong>Warto jednak zachowa\u0107 ostro\u017cno\u015b\u0107.<\/strong> Jeong Seon nie zostawi\u0142 na ten temat \u017cadnego zapisu \u2014 zwi\u0105zek mi\u0119dzy obrazem a \u015bmierci\u0105 przyjaciela to interpretacja badaczy, oparta na zbie\u017cno\u015bci dat. Jest przekonuj\u0105ca, ale nie udowodniona.<\/p>\n<p>Malarz mia\u0142 wtedy siedemdziesi\u0105t pi\u0119\u0107 lat.<\/p>\n<h2>Na co zwr\u00f3ci\u0107 uwag\u0119<\/h2>\n<p><strong>Ska\u0142a.<\/strong> Jeong Seon namalowa\u0142 j\u0105 szerokim, mokrym p\u0119dzlem, k\u0142ad\u0105c ciemny tusz p\u0142askimi uderzeniami. Granit Inwangsan jest jasny, wi\u0119c pokazanie go jako ciemnej masy by\u0142o decyzj\u0105: <strong>to ska\u0142a mokra od deszczu.<\/strong><\/p>\n<p><strong>Mg\u0142a.<\/strong> Bia\u0142y pas w dolnej cz\u0119\u015bci nie jest namalowany \u2014 to niezamalowany papier. Chmury powsta\u0142y z pustki, nie z farby.<\/p>\n<p><strong>Dom.<\/strong> W dolnej partii, w\u015br\u00f3d drzew, wida\u0107 zabudowania. Uznaje si\u0119 je zwykle za dom Yi Byeong-yeona. To jedyny \u015blad cz\u0142owieka w ca\u0142ym obrazie.<\/p>\n<p><strong>Sosny.<\/strong> Malowane drobnymi, ciemnymi kropkami, kontrastuj\u0105cymi z p\u0142askimi plamami ska\u0142y.<\/p>\n<p><strong>Wysoki horyzont.<\/strong> G\u00f3ra wype\u0142nia niemal ca\u0142\u0105 p\u0142aszczyzn\u0119, nieba prawie nie ma. Widz nie stoi naprzeciw krajobrazu \u2014 stoi pod nim.<\/p>\n<p><strong>Inskrypcja.<\/strong> W lewym g\u00f3rnym rogu, z dat\u0105 i podpisem. To rzadko\u015b\u0107 u tego malarza.<\/p>\n<h2>Kontekst historyczny<\/h2>\n<p>Rok 1751 to \u015brodek panowania kr\u00f3la Yeongjo, jednego z najd\u0142u\u017cej rz\u0105dz\u0105cych w\u0142adc\u00f3w Joseon.<\/p>\n<p>Korea wychodzi\u0142a z traumy dw\u00f3ch inwazji \u2014 japo\u0144skiej i mand\u017curskiej. W Chinach rz\u0105dzi\u0142a obca dynastia Qing, co dla korea\u0144skich uczonych oznacza\u0142o, \u017ce <strong>prawdziwa kultura konfucja\u0144ska przetrwa\u0142a ju\u017c tylko u nich<\/strong>.<\/p>\n<p>To przekonanie mia\u0142o konsekwencje artystyczne. Skoro Korea jest stra\u017cniczk\u0105 cywilizacji, jej w\u0142asny krajobraz zas\u0142uguje na przedstawienie.<\/p>\n<p>Jeong Seon by\u0142 tego przekonania najwa\u017cniejszym wyrazicielem.<\/p>\n<h2>O Jeong Seonie<\/h2>\n<p>Urodzi\u0142 si\u0119 w 1676 roku w Hanyangu, dzisiejszym Seulu, w zubo\u017ca\u0142ej rodzinie szlacheckiej. Dzi\u0119ki protekcji wp\u0142ywowych s\u0105siad\u00f3w dosta\u0142 si\u0119 na dw\u00f3r i pe\u0142ni\u0142 drobne funkcje urz\u0119dnicze, maluj\u0105c r\u00f3wnolegle.<\/p>\n<p>U\u017cywa\u0142 pseudonimu <strong>Gyeomjae<\/strong>. Podr\u00f3\u017cowa\u0142 po p\u00f3\u0142wyspie, szkicuj\u0105c g\u00f3ry Geumgang, doliny i rzeki, a tak\u017ce okolice stolicy.<\/p>\n<p>Zachowa\u0142o si\u0119 oko\u0142o czterystu jego prac. \u017by\u0142 osiemdziesi\u0105t trzy lata i malowa\u0142 niemal do ko\u0144ca.<\/p>\n<p>Ten obraz uchodzi za szczytowe osi\u0105gni\u0119cie jego dojrza\u0142ego stylu \u2014 powsta\u0142, gdy mia\u0142 siedemdziesi\u0105t pi\u0119\u0107 lat.<\/p>\n<h2>Dziedzictwo i historia obrazu<\/h2>\n<p>Obraz przechodzi\u0142 przez r\u0119ce prywatnych kolekcjoner\u00f3w przez ponad dwa stulecia.<\/p>\n<p>W XX wieku trafi\u0142 do zbior\u00f3w <strong>Lee Kun-hee<\/strong>, prezesa Samsunga i najwi\u0119kszego prywatnego kolekcjonera sztuki w Korei.<\/p>\n<p><strong>Po jego \u015bmierci w 2020 roku rodzina przekaza\u0142a pa\u0144stwu ponad dwadzie\u015bcia trzy tysi\u0105ce obiekt\u00f3w<\/strong> \u2014 w tym ten obraz. Darowizna, nazwana w mediach \u201ekolekcj\u0105 Lee Kun-hee&#8221;, by\u0142a najwi\u0119kszym takim gestem w historii kraju i wywo\u0142a\u0142a ogromne poruszenie.<\/p>\n<p>Obraz trafi\u0142 do Muzeum Narodowego Korei w 2021 roku.<\/p>\n<p>Ma status <strong>korea\u0144skiego skarbu narodowego<\/strong>. Warto doda\u0107, \u017ce dawna numeracja \u2014 obiekt figurowa\u0142 jako numer 216 \u2014 <strong>zosta\u0142a zniesiona w 2021 roku<\/strong>, poniewa\u017c sugerowa\u0142a hierarchi\u0119 wa\u017cno\u015bci.<\/p>\n<h2>Gdzie zobaczy\u0107 dzie\u0142o dzi\u015b<\/h2>\n<p>Obraz nale\u017cy do <strong>Muzeum Narodowego Korei<\/strong> w dzielnicy Yongsan w Seulu, przy stacji metra Ichon.<\/p>\n<ul>\n<li><strong>Sprawd\u017a przed wizyt\u0105, czy obraz jest eksponowany.<\/strong> Prace na papierze pokazuje si\u0119 rotacyjnie, przez ograniczony czas. To najcz\u0119stsza przyczyna rozczarowania.<\/li>\n<li>Wst\u0119p do sta\u0142ej kolekcji jest bezp\u0142atny. Wystawy czasowe bywaj\u0105 p\u0142atne.<\/li>\n<li>Zaplanuj co najmniej dwie\u2013trzy godziny. Muzeum jest bardzo du\u017ce.<\/li>\n<li><strong>Mo\u017cesz zobaczy\u0107 sam widok.<\/strong> Inwangsan wci\u0105\u017c stoi w Seulu i jest dost\u0119pna dla pieszych \u2014 szlak prowadzi od dzielnicy Sajik-dong. G\u00f3ra ma 338 metr\u00f3w, wej\u015bcie zajmuje nieca\u0142\u0105 godzin\u0119.<\/li>\n<li>Cz\u0119\u015b\u0107 szlaku prowadzi wzd\u0142u\u017c mur\u00f3w miejskich Hanyangdoseong z XIV wieku. Do niedawna teren by\u0142 wojskowy i niedost\u0119pny.<\/li>\n<\/ul>\n<h2>Najcz\u0119\u015bciej zadawane pytania<\/h2>\n<h3>Co oznacza tytu\u0142?<\/h3>\n<p><em>Jesaek<\/em> opisuje stan powietrza tu\u017c po ustaniu deszczu \u2014 moment przeja\u015bnienia, gdy mg\u0142a jeszcze si\u0119 unosi, a ska\u0142y s\u0105 mokre. Tytu\u0142 mo\u017cna odda\u0107 jako \u201eInwangsan po deszczu&#8221;.<\/p>\n<h3>Kim by\u0142 przyjaciel, o kt\u00f3rym si\u0119 m\u00f3wi przy tym obrazie?<\/h3>\n<p>Yi Byeong-yeon, poeta i przyjaciel Jeong Seona od m\u0142odo\u015bci. Zmar\u0142 kilka dni po dacie zapisanej na obrazie. Zwi\u0105zek mi\u0119dzy jego \u015bmierci\u0105 a powstaniem dzie\u0142a to interpretacja oparta na zbie\u017cno\u015bci dat, nie potwierdzona przez samego malarza.<\/p>\n<h3>Czy to prawdziwa g\u00f3ra?<\/h3>\n<p>Tak. Inwangsan stoi w zachodniej cz\u0119\u015bci Seulu i jest dost\u0119pna dla turyst\u00f3w. Jeong Seon mieszka\u0142 u jej podn\u00f3\u017ca i malowa\u0142 j\u0105 wielokrotnie.<\/p>\n<h3>Dlaczego ska\u0142a jest ciemna, skoro granit jest jasny?<\/h3>\n<p>Bo jest mokra. To decyzja malarska oddaj\u0105ca stan po ulewie \u2014 jeden z powod\u00f3w, dla kt\u00f3rych obraz uchodzi za szczytowe osi\u0105gni\u0119cie malarstwa prawdziwego pejza\u017cu.<\/p>\n<h3>Jak obraz trafi\u0142 do muzeum?<\/h3>\n<p>Jako cz\u0119\u015b\u0107 darowizny rodziny Lee Kun-hee, prezesa Samsunga, przekazanej pa\u0144stwu po jego \u015bmierci w 2020 roku. Kolekcja liczy\u0142a ponad dwadzie\u015bcia trzy tysi\u0105ce obiekt\u00f3w.<\/p>\n<h3>Czy obraz ma numer skarbu narodowego?<\/h3>\n<p>Mia\u0142 \u2014 numer 216 \u2014 ale Korea znios\u0142a numeracj\u0119 skarb\u00f3w w 2021 roku. Dzi\u015b u\u017cywa si\u0119 samego okre\u015blenia \u201eskarb narodowy&#8221;.<\/p>\n<p>Je\u015bli ten obraz Ci\u0119 zainteresowa\u0142, poznaj <a href=\"https:\/\/artworkpost.com\/pl\/geumgangjeondo\/\">\u201eGeumgangjeondo&#8221;<\/a> tego samego malarza \u2014 powsta\u0142e siedemna\u015bcie lat wcze\u015bniej, przedstawiaj\u0105ce g\u00f3ry, do kt\u00f3rych dzi\u015b nie mo\u017cna pojecha\u0107.<\/p>\n<p class=\"image-attribution\" style=\"font-size:0.85em;color:#666;\"><em>Zdj\u0119cie: Inwang jesaekdo \u2013 Jeong Seon (1751), Muzeum Narodowe Korei. Licencja: Public Domain. \u0179r\u00f3d\u0142o: <a href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Inwangjesaekdo.jpg\" target=\"_blank\" rel=\"noopener\">Wikimedia Commons<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ten obraz ma dat\u0119 dzienn\u0105. Jeong Seon zapisa\u0142 na nim, \u017ce powsta\u0142 w intercalarnym pi\u0105tym miesi\u0105cu roku sinmi \u2014 czyli w lipcu 1751. To niezwyk\u0142e u malarza, kt\u00f3ry dat zwykle nie podawa\u0142. Tego samego miesi\u0105ca umiera\u0142 jego najbli\u017cszy przyjaciel, poeta Yi Byeong-yeon. Znali si\u0119 ponad p\u00f3\u0142 wieku i razem chodzili po tej g\u00f3rze. Najwa\u017cniejsze fakty&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1033,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[39],"tags":[4828,4832,4718,4829,4719,4727,4830,4724,4723,4722,4831],"artist":[4716],"movement":[3156],"museum":[4717],"class_list":["post-1035","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obrazy","tag-dynastia-joseon","tag-gora-inwang","tag-jeong-seon","tag-jingyeong-sansuhwa","tag-malarstwo-koreanskie","tag-malarstwo-tuszem","tag-narodowe-muzeum-korei","tag-national-museum-of-korea","tag-pejzaz-koreanski","tag-skarb-narodowy-korei","tag-sztuka-joseon","artist-jeong-seon","movement-joseon-art","museum-national-museum-of-korea-seoul"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Inwangjesaekdo \u2013 Przeja\u015bnienie po deszczu | Jeong Seon<\/title>\n<meta name=\"description\" content=\"Odkryj Inwangjesaekdo (Przeja\u015bnienie po deszczu nad g\u00f3r\u0105 Inwang) Jeong Seona \u2013 arcydzie\u0142o 1751 r. i 216. 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