19th century art

  • The Fighting Temeraire

    This ship could not have looked like this. Before the Temeraire was sold for breaking, everything had been stripped from her: masts, rigging, guns, even part of the planking. What went up the Thames was a bare hull. Turner gave her masts back — and set her sailing towards the sunset, though in reality she…

  • The Dance Class

    The old man with the stick is not an anonymous ballet master. He is Jules Perrot — the choreographer of Giselle, one of the greatest dancers of the Romantic ballet, who had partnered Marie Taglioni and toured Europe as a star. By 1874 he was seventy-four, retired and largely forgotten. Degas painted him from a…

  • The Clothed Maja

    Many scholars consider this the better of the two paintings. Goya made it several years after the nude, and it shows in every stroke — the paint is laid on faster, broader, with far more freedom. The nude is smooth and worked up; the clothed maja is painted with bravura. If you only look at…

  • The Nude Maja

    Direct eye contact was not the scandal here. Titian’s Venus of Urbino had done that 250 years earlier, and Goya knew it. The break was something else: this is the first known painting in Western art to show a woman’s pubic hair, with no mythological cover and no gesture of modesty. For the Inquisition that…

  • Almond Blossoms

    A painting about birth and hope was the last thing Van Gogh made before the worst collapse of his time at Saint-Rémy. He finished it in February 1890. Within days he went into a crisis that lasted close to two months, during which he could neither paint nor write letters. When he recovered in April,…

  • Sunflowers

    Here is a fact that stops most people in their tracks: Vincent van Gogh painted the iconic Sunflowers series not as a simple still life exercise, but as a deliberate act of friendship — decorating his home in Arles to welcome fellow artist Paul Gauguin, hoping the vivid blooms would impress his guest and cement…

  • Impression Sunrise

    A single painting accidentally named an entire art movement — and its creator didn’t even mean to title it anything grand. Impression Sunrise, dashed off by Claude Monet in 1872, was described by a dismissive critic as mere “impression” work, and Monet essentially shrugged and agreed. That offhand insult became the badge of honor for…